Stay Human
2025
Campagin / Motion
The Stay Human campaign promotes real, human connection by encouraging people to step away from digital noise and return to the people and environments around them.
The concept uses the simple directive “stay” to ground the message, creating a rhythm that feels gentle yet firm. “Stay offline, stay human” becomes both a reminder and an invitation. The language leads the campaign, using short poetic lines that slow the viewer down and make space for reflection. This approach reinforces the idea that genuine connection asks for presence rather than constant stimulation.
Humanist Typeface to elicit a warm and welcoming— a human— response
Two rectangles overlap mimicking a paper fold, alludes to human connection and touch
Personal anecdote to encourge readers to find connection offline, and stay human
Personal anecdotes are real stories, from real people
Love is Here to Stay
2025
Poster / Motion
The poster series experiments with the word love through an arrangement of repeated letterforms and shapes to express its complicated meaning. The jazzy duo reflect on the mischievous nature of love!
Initial Sketches
Wild West
2025
Identity / Product
Museum of Western Heritage presents a visual identity that captures the energy, diversity, and human depth of the American West. The branding draws directly from the museum’s extensive collection, using illustrated forms, period iconography, and textured visual elements to reinforce a sense of lived history.
This approach highlights the people, cultures, and stories that shaped the West, rather than relying on the simplified imagery that pop culture often repeats. The identity invites visitors to connect with the region’s past in a personal way that feels lively and authentic. It positions the museum as a place where history is not only preserved, but experienced through bold visuals and narrative richness.
Buffalo Bill Cody and Iron Tail of the Oglala Sioux, 1890Bob Askin on Broken Box Finals Cheyenne Frontier Days, 1930
Alice Greenough, Red Lodge, 1942 Henry Pratt and Pratt's grand daughter, 1940Monte Reger and His Family, undated
Typefaces from the Hamilton Woodtype Collection were selected, a typeface collection that digitized J.E. Hamilton’s woodblock type from the late 1800’s
Final Logo: “Wild West” is deconstructed to form tension between the wild and tame— a theme often portrayed within western history and culture
The logo in horizontal form
Brown Film Magazine
2024–2025
Indentity / Editorial / Web / Social
Created in 2022, Brown Film magazine is a student-run publication at Brown University publishing semesterly magazines as well as weekly articles.
As the design head, Henie has established a new identity for the publication in 2024. Since then, BFM has doubled in size with a team of almost 120 active staff writers, editors, and designers. She leads and works with 16 designers to compile, edit, and create the semesterly print magazines, while creating 3 weekly social media posts.
Issue 6 SpreadsIssue 6 SpreadsIssue 6 SpreadsIssue 5 SpreadsIssue 4 SpreadsWeekly Instagram PostsWebsite
Mohawk Papers
2025
Identity Founded in 1931 in Upstate New York, Mohawk has produced some of North America’s best-known fine papers for designers, brands, and printers.
This brand identity defines Mohawk as a heritage brand, as the logo strives to emphasize the history of Mohawk. The simple yet elevated take on the brand communicates the elegant quality that Mohawk offers.
Inside the Mohawk Mill, 1954Henry Livingston View on the Mohawk River, 1885
Inspired by 1900’s ephemera &
Saltbox houses: a quintessential
New England colonial house.The final logo is a hand-drawn illustration of the saltbox house found in Livingston‘s 1885 illustration of the Mohawk River